陈修扬

陈修扬 简介 陈修扬，广东省摄影家协会会员，1950生于广东阳江市，1968从军，1979转业于广东省阳江市行政机关，开始钟情于风光摄影，2004作品《黄河激流》、《诺日朗瀑布》入选美国纽约国际沙龙 2005作品《水杉林》入选中国第11届国际摄影展……Chen Xiuyangmember of Guangdong Photographers Association 1950born in Yangjiang City, Guangdong Province 1968joined the army 1979transferred to civilian work in the administrative organ, Yangjiang City, Guangdong Province, began to be deeply in love with scenery photography 2004photos Rapids in the Yellow River & Waterfall Nuorilang were selected in New York International salons in America 2005photo Metasequoia Forests was selected in the 11th Chinese International Photographic Art Exhibition …… 陈修扬，二十世纪五十年代生，广东漠阳江人。 有过戎马生涯经历的他，性格稳健、豪爽、谦和，自言摄影是他生活中一个不可割舍的情结和一种不可或缺的生活方式。 学贵心悟，守旧无功。他仰慕名家、名作，但也常持否定和叛逆的心境审视着前人和来者。在经历了用亢奋、冲动的摄影体验，宣泄着自己对摄影的理解和认知之后，又以不浮不躁的平常心态和行动重新“标注”着自己的“行军”方向，逐渐把摄影“扎营”在最原始的客观记录上，把目光和精力“投掷”于诠译“如诗如画”的风光摄影之中，借相机的写实表现力去展现自然世界之中蕴含着的写意美感。 于是，云南、西藏有他的身影；华山、长白山有他的足迹；长江、黄河有他的感叹……。他，就像一个长途奔袭的战士，不知疲倦地转战在征程上，用手中的相机瞄准山河、田野、林海、城郭中让他激动和兴奋的“靶标”，把“自然的恩赐”收罗打包在他那沉甸甸的行囊里，把“上苍的给予”收藏在他那一格一格的菲林中。 他的照片，手法平和朴实，画面的处理犹如“一二一”那样简洁而富有韵致，画面组织宁静而又充满生机，构成简约而又蓄有气势，以“看山是山，看水是水”的创作理念，将尊崇、敬仰自然之情洋溢其中，彰显出人与自然的和谐与共存，既有阳春白雪的雅之美，又含下里巴人的俗之韵。 酷爱古人诗词歌赋的他，谈到摄影时说：照片是眼见的景，手拍的像，心悟的境。摄影是休闲的驿站，摄影是快乐的过程，摄影是意象和心境的解读，摄影是激情和兴致的张扬和宣泄。 行武出身的他，言语中字字浸润着浓浓的禅意。 Chen Xiuyang, who was born in the fifties of the 20th century, is from Moyangjiang, Guangdong Province. He, who has an experience of army life and whose character is steady, forthright, modest and clement, says that photography is a knot he can誸 part with and a kind of indispensable life style in his life. Apperception is valuable in study, and you can誸 innovate sticking to old ways. He admires masters and masterpieces, but he often holds negative and rebellious mood to examine people of the past and the future. After his catharsis of the understanding and cognition of photography with the excited and impulsive experiences, he relabels his marching direction with neither uneasy nor impetuous ordinary frame of mind and action, encamps his photography gradually into the original objective record, puts his eyesight and energy explain the scenery photography as beautiful as poetry and painting, exhibits the enjoyable aesthetic feeling contained in nature with the help of the realistic expressive force of cameras. Thus you can find his figure in Yunnan and Tibet, you can find his footprints in Mt. Hua and Mt. Changbai, and you can find his plaint in the Changjiang and the Huanghe valleys……He is just like a soldier on long-range raid, fights tirelessly in one place after another, aims at the targets that make him excited in the mountains and rivers, fields, forests and cities, gathers and packs the favors of nature into his heavy travelling bags, collects the bestow of the God into his films frame by frame. His photos are taken with mild and unadorned techniques, the disposal of the frame is terse but full of lingering charm, just like “one two one” ?, the organization of the frame is tranquil but full of vital force, the structure of the frame is compendious but full of vigour. With creative ideas of 襂t is a mountain if you see a mountain, it is water if you see water ? his photos overflow with veneration and reverence for nature, show clearly the harmoniousness and coexistence between human and nature. There is not only elegant beauty of highbrow art and literature but also the common rhyme of popular literature or art. Speaking of photography, he, who is very fond of poetry and odes of the ancients, says, photographs are the scene you see, the pictures you take, the state you realizes. Photography is the posthouse you lie fallow, photography is a process of happiness, photography is the interpretation of imagoes and state of mood, photography is the publicizing and catharsis of the enthusiasm and interests. He, who rises from the ranks, fills every word he says with strong meaning of Chan. —成功 Cheng Gong 德名斋 demingzhai.com